I Can’t Help It. When I See Things That I Believe Are Important, I Like To Share

Nothing New Here But We Need Kinzinger To Keep Saying It

The Illinois Republican broke down why the former president is “one of the weakest men that I’ve ever seen.”

Rep. Adam Kinzinger (R-Ill.) used an insult frequently hurled by the right at liberals to take his latest swipe at Donald Trump.

Kinzinger called the former president a “snowflake” and “one of the weakest men that I’ve ever seen” in an interview Monday with CNN’s Anderson Cooper.

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The comment came amid a discussion about Trump’s vitriolic response to predecessor George W. Bush’s speech on the 20th anniversary of the Sept. 11 terrorist attacks.

Bush on Saturday said there is “little cultural overlap between violent extremists abroad and violent extremists at home.” Trump hit back Monday, saying Bush “shouldn’t be lecturing anybody” because of his role in “getting us into the quicksand of the Middle East.

Kinzinger, a frequent critic of the twice-impeached Trump, suggested the response demonstrated a lack of strength.

“I mean, If you think about it, what is strength? Strength isn’t somebody that just gets their dander up every time because they feel they have such a lack of self-esteem, they feel they have to out an attack,” said Kinzinger.

“Somebody with strength is someone who can take criticism, who can go out on a day like Sept. 11 and bring people together,” he continued. “Folks on my side like to use the term snowflake when talking about people that get offended really easy. Well, that’s Donald Trump.”

“I look at who he is as a person and the amount of offended he gets on anything and how he has to go out and punch down,” Kinzinger added. “He’ll attack a radio host, for goodness sakes, when he was president of the United States.

You can see interview below.

Mental Health In Sports


Read more from Opinion

September 14, 2021

Author Headshot

By Susannah Meadows

Staff Editor, Opinion

I met Venus Williams in 2003 at her home in Palm Beach Gardens, Fla. I was writing a storyabout her sister, Serena, for Newsweek Magazine. The two lived together at the time, and they were kind enough to let me spend the day there.

What struck me about them was how normal they seemed for the superstars that they were. That day, I saw the two sisters giggle together about a crush Serena had, and heard them consulting on the outfits they were going to wear that night. Venus was excited about the razors she’d seen at the drugstore earlier that day. She couldn’t believe it, but there was a brand called “Venus.” She got such a kick out of seeing her name on the razors, she bought a whole bag of them.

Their house was modest, certainly by celebrity standards. While there were some Wimbledon trophies in the dining room, there were also fabric samples leaning against the wall, evidence of Venus’ interior design business.

I have met and interviewed other famous people, but the Williams sisters stand out to me as the most down-to-earth and well adjusted of any of them.

Eighteen years later, in an essay for The Times, Venus offers an explanation. She describes advice her mother gave her early on, when she was 14, playing at her first professional tournament. “If I wanted to thrive in this sport — and in life — I needed to take care of my ‘whole self,’” Venus writes. “I needed to have a balanced life and not identify myself solely as a tennis player.”

This is what I witnessed at her home all those years ago.

Paying attention to my psychological well-being has allowed me to love the game of tennis for this long,” she writes. “I guess you could say it’s the thing that has really made me tough.”

In the essay, Venus adds her voice to the chorus of people working to destigmatize mental illness. She calls for better access to mental health services for those who need help.

You can’t divorce mental health from anything you do,” she writes. “It impacts your physical well-being, your decision-making, your ability to cope with difficult moments.”

Read her full essay here.


I Was Tired Of Gary Vee For A While Then I Saw This


Thank you cousin Harvey Oshinsky. I laughed until I cried.

On his 70th birthday, a man was given a gift certificate from his wife.

The certificate was for consultation with an Indian medicine man living on a nearby reservation who was rumored to have a simple cure for erectile dysfunction.

The husband went to the reservation and saw the medicine man. The old Indian gave him a potion and, with a grip on his shoulder, warned “This is a powerful medicine.”

You take only a teaspoonful, and then say: ‘1-2-3.’ When you do, you will become more manly than you have ever been in your life, and you can perform for as long as you want.” The man thanked the old Indian, and as he walked away, he turned and asked “How do I stop the medicine from working?”

“Your partner must say ‘1-2-3-4,’ he responded, “but when she does, the medicine will not work again until the next full moon.”

He was very eager to see if it worked so he went home, showered, shaved, took a spoonful of the medicine, and then invited his wife to join him in the bedroom.

When she came in, he took off his clothes and said: “1-2 3!” Immediately, he was the manliest of men. His wife was excited and began throwing off her clothes, and asked: “What was the 1-2-3 for ?”

And that, boys and girls, is why we should never end our sentences with a preposition, because we could end up with a dangling participle.

Oh, What A Night!

The grand finale. One more celebration! Steve Greenberg and Robert Armada hosted a magnificent steak birthday dinner for Eliot at Bourbon’s in Turnberry Resort and Spa. It was a wonderful night with lots of surprises.

Love this photo
An evening of smiles
Yes, we are a little tipsy.
Eliot loved being the giant in the crowd.
Steve and Robert love dining with the little people.
The piano bar at Turnberry
So many rooms for fun
Total luxury
Fountains galore
The restaurant was stunning
Yes. I ate steak tartare. It was delicious.
Bonnie, this one is for you
We had to sing for our dinner

Smart Glasses, Here We Go Again

Facebook gets in your Ray-Bans: A first look at its new smart glasses

Before we start reading Harry McCracken’s very long story in Wired Magazine about Facebook’s attempt to introduce smart glasses, just remember that Google tried this too. Let me know your opinion if you would consider lwearing glasses with tons of information right on front of your eyes. —-LWH

Mark Zuckerberg has big plans for smart eyewear. Facebook’s first stab at the idea is not a huge deal—but it avoids privacy pitfalls that could come later.


Mark Zuckerberg’s mind often turns to the inadequacies of smartphones—especially their disruptive clunkiness as a tool for engaging with other humans

“On the one hand, they provide so much value, so you’re not going to not use them,” explains Facebook’s CEO. “But I think the fact that we basically take this thing out of our pocket and kind of have our head stuck in it for a while is just not how we all want to interact.”

Zuckerberg has expressed variations on this sentiment when discussing Facebook’s Oculus VR headsets, its research into augmented-reality wearables, and its ambition to become “a metaverse company.” But in this particular case, he’s giving me the rationale behind Ray-Ban Stories, the new smart glasses that go on sale today, a year after he first teased them at the company’s Facebook Connect virtual conference.

A joint project between the Facebook Reality Labs hardware group and the 84-year-old Ray-Ban sunglasses brand—itself an arm of French-Italian optical-goods behemoth EssilorLuxottica—the new glasses are nowhere near as futuristic as Facebook’s other gambits to diminish the smartphone’s central place in our lives. In fact, the features they offer, starting at $299, are quite similar to products already on the market. You can use them to take photos and shoot brief videos while your phone remains in your pocket or purse—just like Snap’s Spectacles, which have been around for half a decade now. They also deliver open-ear audio for listening to music and making phone calls, as smart glasses from Amazon and Bose do.

They sport cameras, microphones, and open-ear audio playback, but they’re still recognizably Ray-Bans.

And yet Ray-Ban Stories could be more than a mere straggling addition to an existing category. Smart glasses remain a curiosity rather than a hit with the masses: Snap, for example, has always positioned Spectacles as a quirky experiment and isn’t even selling the newest version, instead doling it out for free to creators who provide sufficiently enticing pitches. That leaves the door open for a new arrival—whether it’s Facebook and Ray-Ban or someone else—to take the idea mainstream.

But because this is Facebook we’re talking about, Ray-Ban Stories unleash a Pandora’s Box of questions that Snap’s Spectacles have not generally provoked. Is Facebook going to use the glasses and the information they capture to data-mine our lives in formerly impossible ways? What does it mean for privacy when you build cameras into eyeglasses, where people might not expect them? Are we going to see users stream stuff from their glasses onto Facebook or Instagram in ways that could be inappropriate? (My colleague Jeff Beer confronted some of the other concerns about “Facebook on your face” last September when Zuckerberg revealed the plan for smart Ray-Bans.)

While Ray-Ban Stories are no epoch-shifting breakthrough in themselves, they might ratchet Facebook that much closer to its goal of creating AR glasses that blend the digital and physical worlds in ways that aren’t yet possible. That’s true both from a technological standpoint—the more the company knows about miniaturizing electronics, the better—and getting the world acclimated to eyewear that packs sensors, computing power, and connectivity.

Zuckerberg acknowledges as much, calling Ray-Ban Stories “one milestone on the path to what we envision is the long-term augmented reality glasses.” He adds that “there’s a bunch of work that still needs to be done there, but while we’re working on that long-term vision, I think it’s also helpful to kind of work our way up and say ‘What’s possible and what can we unlock for people today?’ And that’s what this product ends up being.”

After spending a week and a half with a pre-release pair of Ray-Ban Stories, I can report that what’s possible today can be fun. But it’s also immature enough that, if anything, it left me newly appreciative of how capable smartphone cameras have become.

The best news: Trying the smart sunglasses for myself did make clear that many dystopian fears about Facebook-powered eyewear do not apply here. Instead of plunging into a brave new world rife with unsettling implications, they never get anywhere close to the precipice.


Cramming all the advanced technology necessary for virtual or augmented reality into a headset remains a challenge: Putting on Facebook’s Oculus Quest 2 or Microsoft’s HoloLens 2, the preeminent products in their respective categories, still feels like strapping a boat anchor to your head. By contrast, the cameras and audio components required by the Ray-Ban Stories don’t take up too much space. Which is essential, because EssilorLuxottica had one inviolate design goal: “We wanted to have a real Ray-Ban on your face, not a compromise,” says Luxottica global design and market research executive Matteo Battiston.

The eyeglasses maker started with the dimensions of a classic pair of Wayfarers—Ray-Ban’s most storied model—and increased them by just a skosh to accommodate electronics. Then it worked with Facebook to determine what was possible in that allotted space. “They really delivered in keeping up with our design expectations,” says Rocco Basilico, EssilorLuxottica’s chief wearables officer. “We were giving them boundaries.” Even the weight didn’t budge much: The Ray-Ban Stories Wayfarers are only 5 grams heavier than a standard unelectrified pair.

Examine Ray-Ban Stories closely, and you will see plenty of evidence of the added technology, from the two cameras on the front to the power switch and shutter button on the temples to the hefty carrying case, which has an embedded battery of its own for recharging the glasses. (Not so apparent: a touch surface on the right temple for tasks such as pausing video.) New accouterments aside, the overall effect remains so true to the Ray-Bay ethos that when I sauntered in the room wearing a pair for the first time, my wife simply asked me why I was wearing my sunglasses inside.

Ray-Ban Stories are available in multiple frame styles and lens options, including clear and prescription lenses.

Along with Ray-Ban’s iconic brand and look, EssilorLuxottica brought the ability to immediately scale the smart-glasses concept up into a product portfolio in a way that Facebook surely couldn’t have pulled off on its own. Ray-Ban Stories will be available in two sizes of Wayfarers as well as Meteor and Round frames, with five color choices and multiple lens types, including clear, Transitions, and prescription options. With the same technology available on so many types of Ray-Bans—20 in all—Stories might feel more like an upgrade option than a buying decision unto itself: As Basilico puts it, “for $100 more, you get a Wayfarer with superpowers.”

Facebook’s View app can apply 3D-like effects to photos (but note that it severed the guy on the left’s head).

“Superpowers” might be overselling it a bit. I don’t have to be convinced that life has plenty of moments when you might want to capture still photos or video, and a smartphone would prove unwieldy. In my case, one prime example is when I’m pedaling an e-bike around the Bay Area; for the record, Zuckerberg says that he’s been using the glasses while skiing, surfing, canoeing, and teaching his daughter to fence.

But once I’d begun using the glasses to document my bike trips and other out-and-about experiences, I learned to temper my expectations. The Ray-Ban Stories’ two 5 MP cameras don’t deliver image quality that compares with that of a serious modern smartphone, even though Facebook says that it uses AI to enhance the results. (The dual cameras allow the Facebook View app for iOS and Android to perform some cute special effects with still photos, such as turning them into mini-videos that zoom in with a two-and-a-half-dimensional effect.) Nor does the 105-degree field of view match that of the human eye; I found that I couldn’t mentally crop the image I was looking at, leading to chopped-off heads in close-up people photos.

The glasses’ photos lack the sharpness of a good smartphone snapshot, and it’s hard to precisely frame your subject.

It’s also tricky to record an exact instant in time, because the glasses’ interface for taking still photos is far from snappy. You can choose between saying “Hey, Facebook, take a photo” (using a voice input feature called the Facebook Assistant) or holding down a button, and in either case it takes a couple of seconds until the capture happens. I ended up more inclined to shoot video, which maxes out at 30 seconds per clip with 1184-by-1184 resolution but requires less precision to create something worth saving.


Managing the glasses’ storage and battery was also a larger responsibility than I anticipated. The onboard memory can hold a maximum of 35 30-second videos or 500 photos at a time, after which you must do a phone transfer to free up space. The battery life is rated at six hours of “moderate” use, but I drained the glasses in a couple of hours on one bike jaunt. You probably want to tote the charging case even though it’s a pocket-strainer.

I don’t mean to suggest that Ray-Ban Stories are more trouble than they’re worth. If you’re buying sunglasses anyway, the audio features might be worth the price of admission by themselves. (They’re great for listening in situations where you don’t want to block out all external noise, such as walking or biking city streets.) But you’ll be happiest with the cameras if you’re pretty forgiving on image quality—and don’t try to use them as anything like a wholesale replacement for your phone’s camera, inconvenient though it can sometimes be.


If Ray-Ban Stories were more wildly ambitious, more items on the long list of potential concerns about a Facebook computer you wear on your face would come into play. But their features aren’t even in the same Zip Code as the AR Facebook is also working on, where technologies such as facial recognition could easily go awry if mishandled. And Facebook and Ray-Ban have also backed away from some of the potentially creepy functionality that a pair of glasses with built-in cameras could enable.

For one thing, they made it difficult to use the glasses in a truly inconspicuous, privacy-violating manner. “There is an enormous responsibility for privacy, trust, security, transparency—not only for the person who buys that product, but also for everyone around them while they’re wearing it,” says Matthew Simari, director of product for Facebook Reality Labs.

Beyond the basic fact that the two camera lenses are in no way concealed, the sound effects they make as you use them—including a classic simulated shutter click—can’t be turned off. A prominent white LED near the right lens’s Ray-Ban logo glows whenever the cameras are in use: “That’s something that I think it’s worth noting smartphones don’t even do today,” says Zuckerberg. According to Simari, this LED is designed to be visible from up to 25 feet away, and some potential frame colors got nixed on the grounds that they provided insufficient contrast with it. (Another LED on the inside of the frames reminds the user when imagery is being captured.)

The fact that these glasses have cameras is even more apparent when the LED lights up.

It’s certainly possible to take photos and videos with Ray-Ban Stories more discreetly than with a smartphone: As I roamed an outdoor antique fair, I used them to snap anything that caught my eye, and I’d be surprised if anyone noticed me touching the temple to initiate image capture. Buzzfeed’s Katie Notopoulos covered up the LED with tape and marker ink, then was told by a Facebook VP that doing so was a violation of the glasses’ terms of service. But anyone who’s set on taking covert photos for truly nefarious purposes, such as stalking or movie-theater piracy, has better options. And if the glasses sell well, they could become too familiar to be used without calling attention to themselves.

Other aspects of Ray-Ban Stories’ emphasis on privacy address the person wearing the glasses. Facebook says that it can’t see your photos or videos and doesn’t use them to target you with ads. You can shut off its ability to collect data such as the number of photos you take and the length of your videos, which it aggregates to better understand usage.The View app, which you use to manage the glasses, keeps a log of commands the Facebook Assistant heard you say; you can review them, delete them, or turn off the Assistant and control the glasses through taps, swipes, and button presses.


People get sensitive about anything that sounds too much like Facebook jacking into your brain, but Ray-Ban Stories don’t even jack directly into Facebook itself. (On iPhones, at least, this is partially due to Apple not doing much to facilitate wireless data transfers from external devices.) You can’t stream anything directly into your Facebook account: Getting photos and videos off the glasses and into the View smartphone app via Wi-Fi is a manual process, whereupon it’s just as easy to share them to TikTok or iMessage as Facebook or Instagram. (You do need a Facebook account to use the View app.)

Facebook’s View app tries to steer users into being “good stewards” of the smart glasses.

Of course, no matter how adroitly Facebook errs on the side of sidestepping potential privacy quagmires, people won’t respond solely to the design decisions that it and EssilorLuxottica have made. They will also have an instinctive reaction to the concept of cameras embedded into a pair of glasses—and if history is any guide, many will assume the worst. (Exhibit A: Google Glass, whose negative reception helped doom it as a consumer product.)

“[T]he truth is, wearable cameras freak people out,” my colleague Mark Wilson wrote back in 2016, when he was assessing Snap’s original Spectacles. Nothing has happened in the subsequent five years to ensure that Ray-Bans Stories won’t provoke their share of freakouts—especially among those inclined to be wary of anything that carries Facebook’s imprimatur.

Zuckerberg says that as people get to try Ray-Ban Stories for themselves and—he expects—find them cool and useful, the notion of taking photos with your glasses will reach a state of normalcy it hasn’t yet attained. “Part of the deal with any technology is that you see that value,” he says. “I don’t think we inherently want to go through our lives carrying a phone around in our pocket. We do it because it creates a lot of value for us.”

It’s at least possible that smart glasses like Ray-Ban Stories will follow a trajectory similar to that of the camera phone. Almost everyone has forgotten that when the first phones with built-in cameras hit the market in the mid aughts,they made a lot of people profoundly uneasy, provoked calls for new legislation, and even inspired new technologies designed to foil their use. It was only later, after camera phones gained widespread popularity, that they became relatively uncontroversial.

Does Zuckerberg grant that Facebook’s association with Ray-Ban Stories could make them a tougher sell? Not really. “I think that there are probably people who would be skeptical of any specific company,” he told me, though he also stressed that skeptics should understand that they won’t be used for ad targeting.

Still, it’s not like Facebook is pretending that smart glasses don’t have a comfort-level hurdle to clear. Its privacy webpage for RayBan Stories lists places where you should use the power switch to turn the glasses off, from locker rooms to houses of worship; the View app includes etiquette tips such as encouraging customers to demo how the now-recording LED works before taking pictures. Such features are about nudging anyone who buys the glasses into being “a good steward and thoughtful in their behavior,” says Simari.


None of the Facebook and EssilorLuxottica executives I spoke with took the bait when I gave them the chance to make predictions about how well Ray-Ban Stories will fare on the market. However, they all expressed optimism for it as a beachhead in a category that will matter: “In the near future, smart glasses will be a big part of our business,” says EssilorLuxottica wearables chief Basilico.

Zuckerberg, meanwhile, is thinking out through the early 2030s—and sees a place for the direct descendants of Ray-Ban Stories even though his ultimate goal is to build rich augmented reality into a similar form factor at the same price—with all-day battery life, yet—thereby ushering in an era when “phones are just a little less central in our lives.”

“I think it could be quite a long time before the full vision of what we talk about as augmented reality glasses becomes a $300 product,” he muses. “It may very well be that for another decade or so, there also are parallel smart glasses products. Maybe they have a display, maybe they don’t. But basically different tracks, so that the technology can be accessible to more people.”

So many impossible-to-predict developments could trip up this long-term plan. But consumer reaction to Ray-Ban Stories—good, bad, or indifferent—may tell us at least as much about its prospects as any prediction Mark Zuckerberg could make.

55 Years Working Today

Taking notes for a big story I was going to write.

I walked into the city room of Fairchild Publications on September 9, 1966. Many people reading this weren’t even alive then. I was. It was one of the greatest days of my life. Fifty five years later I am still pitching away.

Never would have made it without Eliot Hess, Richard Ekstract, Bernie Lett, Frank Tricarico, Aaron Neretin, Manning Greenberg, Cathy Ciccolella, Marvin Klapper, Ed McCloughlin, S. David Feir, Warren Zorek, Stanley Hochstadt, Neil Goldstein, Gary Shapiro, John Hollands, Rob Reis, Harry Elias, Harry Fox, Maurice deHond, Frank O’Connell, Steve Greenberg, and my brother Steve Schneider who told me in the summer of 1966 that I was good for something

While most of the colleagues I started with are either gone or retired, I will be at my computer today working the press on a big financial story I am trying to place. I am also on deadline to help sell two companies, make a motivational speaker a star, help get several books published, secure profile stories for three businesses, and promote a number of new innovative products.

As long as there are individuals who want to hire me, I will still be plugging away. It takes my mind off of Trump and the Pandemic.

Getting ready to go out on an assignment

The Healing Prayer

If you are in the need of healing, or you know someone else who needs healing, chant that person’s name during the following musical prayer. It will be one of the most healthy moments you have experienced in a long time.

The healing prayer by Rabbi Marc Philippe of Temple Emanu-El of Miami Beach and Alyssa Landry. Both are personal friends of mine.

I recorded this yesterday during the Rosh Hashanah service. There is a 20 second interruption in the recording. Stick with it. Let it play out. The ending is breathtaking.


Sept 14 Fountainhead Fundraiser

I want to invite you to a fundraiser for the Fountainhead Residency on Tuesday, September 14th, at the home of Alexa and Adam Wolman in Coco Plum, Miami.

Not to be missed. The home is one of the best examples of why Miami is now considered one of the most prominent cities for art collectors.

The media is continuously recognizing Fountainhead as a major force that has made Miami a serious international city for art education, creation, collecting, commerce and networking. Fountainhead offers a year-round residency program, flexible and affordable artists’ studios, the Miami Dade County-wide open studios event called “Artists Open,”and a series of career-focused programs.

Each month Fountainhead hosts three national/international artists at the residency so they can create, connect, engage and be inspired, infusing Miami with artistic talent from around the world. Since 2008, Fountainhead has hosted over 450 artists from 47 countries.

Meet co-founder Kathryn Mikesell

We want you to become a member. There are many different dollar levels you can join in on. One thing I can guarantee. You will meet the most interesting and fun people ever. Everyone who belongs to Fountainhead loves life and always want to explore new opportunities. Your social life will be extraordinary.

I am a board member and a networker. We just wanted to share this opportunity with you.

If you are interested, I will give you further details for the event. If you can’t make the event, join anyway. We have activities every month and you can accompany Eliot and I at any time.



Friend  $100 Join Now Yearly

  • Invitation to Fountainhead year-round events
  • Special reduced member pricing for all fundraising events
  • Unlimited hugs and appreciation from our foundress ;-))

Benefactor $300 ind. / $500 cpl Join Now Yearly or Monthly

  • Personal introductions to visiting Residency artists (That’s 30-40 artists a YEAR!)
  • Exclusive tours of local artists’ studios
  • Private gallery tours where gallery owners will explain the exhibition and the works
  • Curator led museum tours
  • Special pricing on events and performances from our cultural partners

Visionary   $1,250 Join Now Yearly or Monthly

  • All Foundation Level benefits
  • Recognition on our website
  • First access to artwork made available by Residency and Studios artists
  • Invitations to national and international art tours including artists’ studio visits, private museum tours, unique experiences in collectors’ home all combined with curated meals, and other cultural events.
  • Private studio visits with all visiting artists enabling you to dive in and learn about each artist and their practice
  • Tours of collectors’ homes
  • Invitations to national and international VIP Art Fair programs
  • Personal referrals to our broad database of art handlers, framers, conservators and other art service professionals
  • VIP Passes for Miami Art Fair week
  • Limited memberships available

Designated Named Artist Fellowships $15,000 JOIN NOW

This is an opportunity to create a legacy while providing direct support to artists and The Fountainhead Residency. Designated fellowships are based institutionally, geographically, discipline-based and/or diversity based. For each fellowship, the team will work with you to define the designation, criteria for selection, method of outreach, and additional programming. Each fellowship includes roundtrip airfare, travel insurance for international artists, and shipping, materials and per-diem stipends for artists. Additional benefits include:

  • Your name will be proudly displayed on Fountainhead website donor page, and included in our newsletters, event invites and other communications, and the artist’s page
  • Private introduction to the artist upon arrival
  • Opportunity to host a private meet and greet for family and friends *catering and all associated costs not included
  • All benefits provided to Visionary members
  • Advanced notice of all incoming Fountainhead Residency artists
  • One-on-one studio visits with all Fountainhead Residency and Studios artists
  • Invitation to a family dinner at Fountainhead Residency
  • VIP Passes to many of the art fairs in December, nationally and internationally

ASponsor an Open House $3,000 JOIN NOW

  • Sponsor one of our monthly Open Houses or a private event of your own
  • Sponsorship listed on Fountainhead website donor page, on the event page and on initial email and reminder email for the event
  • Personal introductions made to each artist for sponsors and their guests
  • Private tour of the Mikesell Collection led by Kathryn and Dan for your guests
  • Special thank you made during the event

Board of Trustees

Alexa Wolman, President

Benjamin Wolkov, Secretary

Carole Server

David Ross

Don Savelson

Henry Zarb

Ian Krawlecki Gazes

Ibett Yanez

Jeff Flemings

Jumaane N’namdi

Leslie Weissman

Lois Whitman-Hess

Nicole Blackburn

Silvia Faidutti, Treasurer
Spring Dautel McManus

Stuart Sheldon

Teresa Enriquez


Kathryn Mikesell, Foundress and Executive Director

Alex Nunez, Program Manager
Nicole Martinez, Communications and Grants

Curatorial Advisory Board

Jose Diaz, Chief Curator at The Andy Warhol Museum

Tami Katz Freiman, Independent Curator and Curator of the Israeli Pavilion Venice Biennale 2017

Dermis Leon, Independent Curator and Fountainhead Residency Alumni

Omar Lopez-Chahoud, Independent Curator and Artistic Director and Curator of Untitled Art Fair

Larry Ossei-Mensah, Independent Curator and Co-founder of ARTNOIR

Irini Miga, Fountainhead Residency Alum Artist and Curator, Co-Founder of Daily Lazy Projects, in Athens, Greece and Co-Editor of Daily Lazy Blog

Major Donors

Jorge M. Pérez Family Foundation.png

Shepard Broad Foundation
Carlo and Micol Schejola Foundation
Francie Bishop Good and David Horvitz
The de Groot Foundation
The Hillsdale Fund
The Heinz Endowments
Lois Whitman-Hess and Eliot Hess
Alexa and Adam Wolman
Hesty Leibtag and Terry Verk
Adriana and Ricardo Malfitano
Joan Quinlivan
Heather and Jay Schreibman
Leslie and Michael Weissman
Jane Wesman and Donald Savelson

Benefactor and Visionary Members


Alexandra Bain
Alexandra Rutten
Alison Cohen
Alison Davis
Alison Weiss
Amanda Dobin
Amy Kornik
Amy Pollack
Anne Coppenrath
Avi Bernstein
Avra Jain


Barbara Salk
Bill Fuller
Bruce Taub


Cathy Leff
Celso Gonzalez-Falla
Claire Racanelli
Carla Tobin
Carole Server
Chris Adamo
Christoper Barake


Danie Gómez-Ortigoza
David Black
David Lombardi
David Rosow
David Ross
David Sharp
Debi Hoffman
Debi Weschler
Diane Grob
Dina Mitrani
Donald Weiss


Eliot Hess
Ellie Taub
Eric Schneider


Fabien Castanier
Fredrick Black


George Dufornier
Greg Diamond
Gina Chase


Hesty Leibtag
Howard Krass


Jan Gerits
Jen Samway
Jill Stone
Joe Furst
John Barnett
John Ellis
Josh Cohen
Joyce Virga
Juan Toro


Karen Boyer
Kate Friedman
Kelley Johnson
Kyung Yoon


Laura Randall
Lee Cohen Hare
Lesley Goldwasser
Leslie Rosenzweig
Linda Diamond
Lindsey Freidman
Lisa Smith
Liza Gallardo Walton


Matt Landau
Marie Elena Angulo
Mark Blackburn
Mario Cader-Frech
Martine Marchand
Mary Heidrich
Matt Anderson
Matthew Lieberman
Michael Rosen
Michael Samway
Mindy Solomon
Misha Kornik
Moises Esquenazi


Nancy Bernstein
Nicole McAree


Oliver Frankel



Pauline Shender


Rachel Wagner Furst
Randi Wolfson
Rebecca Dinar
Renee Delaplaine
Renee Rosenberg
Rhonda Mitrani
Robert Borlenghi
Robert Shub
Robin Lipson
Roger Baumann
Rolf Coppenrath
Ron Rosenzweig
Rouslana Andriyanova
Ruth Greenberg





Scott D’Andrea
Sherry Zimand
Stephanie Bloom
Stephanie Denault
Stephanie Rosen
Stephanie Krass


Thais Fontenelle
Tina Tolles
Todd Friedman


Valentina Gutchess
Valerie Ricordi
Vanessa Grout
Vanessa Ressler
Vince Virga
Viviana Dominguez


Werner Grob


Shabbat Shalom

Eliot took this photo as we were arriving in Miami. Fisher Island on the bottom of photo, the port of Miami to the left, all of the Islands where the celebrities live, Miami Beach to the right. Happy New Year to all.


We got our booster shots yesterday. So far no reaction.


Eliot looked out the window of our hotel, the 1 Hotel, 58th and Sixth, and shot this photo of a bride and groom who decided that this crosswalk was the beginning of their journey together, Mazel Tov!


Thank you Leslie