Fran Lebowitz Talks Touring, Vaccines & Taylor Swift’s Re-Recordings

I know most of you do not subscribe to Billboard. I didn’t want you to miss a new Fran Lebowitz interview.

6/3/2021 by Rob LeDonne

Celebrated humorist, author and public speaker Fran Lebowitz is currently in the midst of a career resurgence. Known for writing two beloved books (1978’s Metropolitan Life and 1981’s Social Studies), Lebowitz has famously struggled with what she dubs a “writer’s blockade” since. Refocusing her attention on a career in public speaking, Lebowitz has provided ongoing fodder for director Martin Scorsese, starting with the 2010 documentary Public Speaking and continuing this year when Lebowitz and Scorsese reunited for the popular Netflix docuseries Pretend It’s a City.

A love letter to New York, the six episodes focus on everything from music to reading, introducing Lebowitz’s refreshingly curmudgeon point of view to a whole new audience.

With the light at the end of the pandemic tunnel in sight, Billboard caught up with Lebowitz as restrictions around the nation continue to lift and she prepares to go back on the road. Whether it’s the return of touring, Beyoncé, cell phones at concerts, Pride Month or Taylor Swift, you can bet Lebowitz has an opinion about it.

Q-It looks like normalcy is returning and live events are right around the corner. What are your thoughts when it comes to getting back on the road and in front of audiences? Are you hesitant, or ready to dive in?

A-Well, almost all of my speaking dates so far are in 2022 and that’s because they’re made like six months or a year in advance. When my agent started making them, nobody knew anything. These speaking engagements, I love doing them. It’s my favorite recreational activity. What I’ve always hated about touring is traveling; it’s awful. I always say to my agent: they pay me to get there. I’m not worried about getting the virus if that’s what you’re asking because I believe in these vaccines. I’m double-vaccinated, so I’m not really worried about getting the virus. I know you read that some people get the virus after they’re vaccinated, but I’m just too old to be worrying about these improbable things. About a month ago, I had to go to L.A. to do Bill Maher and that was the first time I flew in over a year. Flying to me is 100 percent about smoking. How long until I can smoke?The hundreds of times I’ve gone to L.A., I don’t care what they say, but it’s eight hours from the time you put your foot into the airport and you put your foot out. It’s doable, but it’s unpleasant. Eight hours with a mask on, I found it incredibly unpleasant.

Q-I’ll ask you the question of the moment: did you get Pfizer or Moderna?

A-I got Pfizer. I got it really early compared to most people, not because I skipped the line, I got it the second they dropped the age… and they didn’t have to drop it much, believe me. But my assistant — who knows how to work the computer, which I don’t — went on the Internet for what seemed to be 24 hours straight. I was on the phone with her and she’d say, “Oh here’s one!” But by the time I said yes, it was gone. And then all of the sudden she was like, “Wait, one opened up tomorr-” and I said “Yes!” And she said, “But it’s all the way uptow-” and I said, “Yes!” I think I had my second shot at the beginning of February and when I got it none of my friends had. They’d ask me, “Which did you take?” I said, “Well, it’s not like a menu (is handed to you).” You don’t say, “Yeah, I don’t know, maybe I’ll have the veal instead.” As they were about to give it to me I said, “Which one is this?” and they said “Pfizer.” I had zero side effects from it other than hopefully making me impervious to this virus. After the second one, I went downtown and had fried chicken at Blue Ribbon.

Q-After my second one I got biscuit sandwiches. I felt like pigging out on a celebratory meal.

A-You know, a lot of people said they were ravenous. I thought, well, maybe there’s marijuana in it.

Q-What’s it been like not being able to tour for the past year and not being in front of audiences. Are you fielding questions from your doorman now?

A-[Laughs] Well, ever since the Netflix series came out I’ve been answering questions, just not in a theater. But there have been plenty of questions. I also did Bill Maher and Jimmy Fallon’s shows and they had a small percentage of people there and I really noticed the lack of an audience. It’s not as good as having a full audience, but it’s better than no audience. Having no audience takes the vitality out of it. I’ve done numerous virtual events and you have zero sense of how it went. You don’t get any of that energy. The audience is a collaborator. That is something I’ve always known, whether I’m a member of an audience or on a stage. People who are in show business play to the audience. I don’t do that — I’m not that nice, I’m not that friendly — but I certainly feel the response of the audience and everyone misses that.

Q-On the other hand, do you think performing for no audience is less pressure?

A-No. I don’t feel pressure from the audience. I’ve never felt that. I have zero stage fright. I reserve all of my fear for writing. So I don’t feel that at all. I just miss the audience. Plus the audience is coming to see me, except when I’m on a panel or something, which is rare because I hate them. But they generally already like you. The only exception was during the 2016 election and I was doing a lot of dates and I experienced, for the first time, routinely being booed by my own audience because they would ask about Bernie Sanders. “Don’t you love Bernie Sanders?” No, I don’t. I finally realized that for some reason unbeknownst to me I have the same audience as Bernie Sanders. So they would get really angry at me and boo and chastise me. Even a few weeks ago, I was walking down the street and some guy came up to me and said, “You’re wrong about Bernie!” Even though I have not mentioned or thought of him in like five years.

Q-Let’s talk about your appearance in front of a full audience before the world changed. Do you remember what it was or what it was like?

A-The day before New York shut down, I did an event at The Strand with Ben Katchor. It was a favor to him as his book was coming out. That was March 12 and people were starting to feel a little worried. In fact, we sat on stools next to each other and I asked one of the kids to move them a little further apart.

Q-Did you have apprehensions going into it?

A-I didn’t, because I didn’t understand it. No one did, really. I thought, maybe don’t let people get on top of you.

Q-What was the last music show you went to?

A-I could be wrong, but the last big show I went to could have been Adele at The Garden. Ordinarily I don’t like going to these giant things, I have to tell you. And it was probably the first time I’ve been to The Garden seeing every single person, except for me, hold their phone up the whole time. I know it exists and it’s the way these kids live, but truthfully it is stupid. Because here she is, Adele, the person you adore, not that many feet from you. Look at her! Listen to her! But truthfully, even before cell phones I would always notice when I would do a talk show like Letterman and audience members would request tickets, come to New York, stand in line, wait, and go through all of this trouble and expense… and then they would just watch the show on the monitor. I’d think to myself, he’s twelve feet from you! Watching the monitor is like watching it on television. So I think there is some magnetic quality to a screen, I don’t think it matters if it’s a television screen or phone, people are more attracted to screens than they are to other humans.

Q-I’m wondering if you have a rider.

A-In my contract it says that I have to have black iced coffee backstage and this is so I’m awake so I can talk to the audience. And it also asks for some food, because typically I’m going to the airport. I could be traveling day after day and not one person asks, “Have you eaten recently?” So the food is to keep me from starving.

Q-What food? The world needs to know. Any specific requests?

A-Yeah, I ask for a turkey sandwich, some fruit, and some nuts. And black iced coffee.

Q-Any particular brand of coffee?

A-No. No. It’s not for dining pleasure. It’s a drug.

Q-Let’s talk about some of the artists you’ve come across over the years. I’ve heard you say David Johansen of the New York Dolls was the best frontman you’ve ever seen live. I’m sure you’ve seen everyone. Why David?

A-It’s true and it’s because he was. Why was he? I don’t know. He was great, and I have seen everyone. Well not everyone, I haven’t seen these young acts at all so I’m not counting them. There have certainly been better musicians than David was. I saw Prince a number of times and there aren’t too many people greater than Prince. But as a frontman, David was just fantastic. I think it’s more of a personality thing, a physical thing, a swagger. Of course, I’ve seen the Stones a million times and I’m not saying that Mick Jagger is not a good frontman. I’m just saying that when he was young, David was better. Of course, these things are matters of taste. This isn’t something you can really measure.

Q-I also heard you drove the Dolls to their very first show.

A-I did, and they didn’t get paid.

Q-So it was a free gig?

A-It wasn’t meant to be. The guy just stiffed them. I drove them there because I was the only person who had a valid driver’s license. Everyone else, it had either expired or they never had one, or they stopped for drunk driving. We had to rent a van and that’s why I drove them, because I was the only one who could. Not that I was the best driver.

Q-I’m a big Sinatra fan as I know you are. And even though you’ve said in the past you walked out of one of his shows (at Forest Hills Stadium in 1977), your fandom remained intact. What was it like to see him in person and why did you like him so much?

A-I loved Sinatra and I don’t think I have to explain why, because who didn’t love Sinatra? I actually left that show because he was so drunk, he couldn’t remember the lyrics. My objection to his show wasn’t that he was drunk — I didn’t care. I’m not his mother. I cared that he couldn’t remember the lyrics! Everyone in the audience knows the lyrics, but he doesn’t know them. It really annoyed me and that’s why l left. But I saw him numerous times and I think my initial love of Frank Sinatra was my mother’s love of Frank Sinatra. Everyone in my mother’s generation was in love with Frank Sinatra, and my father loved him, too. When I was a child, there was a radio show in New York called the Make Believe Ballroom that played all of the songs of my parents’ youth, big band and everything like that. And my parents listened to it all the time in the car, so I came to know all that music. I really can’t remember how many times I saw Frank Sinatra.

Q-When you go to shows, how do you enjoy the performance? Do you sing along to the lyrics, dance, stand?

A-Well, luckily for people around me I don’t sing since I have the worst voice in the entire universe. I would never sing in public; I know how horrible my voice is. But I’m always shocked how the audience knows all the lyrics for everything. At rap concerts they know all the lyrics which are not always easy to distinguish. I’m not that kind of fan, I don’t know the lyrics to every song. But it’s one of the things that makes me understand the love that people have for these performers. It’s only in music that people love — and I mean love, I don’t mean like — the performers. It’s something so specific to music and people are grateful for this. They adore them, and I guess that’s why they know every single lyric. But I would prefer if everyone around me wasn’t singing since I’d like to hear the person with the actual talent sing. The only time I stand up is if I can’t see. If someone in front of me stands up, I’ll stand up. But I’m 5 foot 4, I don’t have a lot of leeway here. And no, I’m not the person who dances in the aisles. I’m not that fun.

Q-I’ll put on music if I’m cooking or I’m in the shower. Do you listen to music in your apartment?

A-I’ve never been a person that sits and listens to music. I might have some on if I’m doing some major chore, but I would say that, and I know this is unusual, but the vast majority of music I’ve heard in my life has been live. That’s one of the great things about living in New York. I’ve seen an enormous number live and that’s my preferred way. When I drove a lot, I always listened to music in the car.

Q-Would you listen to the radio or cassette tapes?

A-I do not have a cassette player in my car. I have a car that I bought new in 1979 and it has a radio. Whatever was current in 1979 I have, but I have nothing past that.

Q-Do you have a go-to radio station when you’re driving around New York?

A-I listen to classical music, WQXR or the jazz station in Newark (WBGO). I always listen to that.

Q-That’s a great station. Okay, I want to get your take on some modern names.

A-I don’t know much about them!

Q-That’s okay! So, Beyoncé is one of the most respected and beloved performers and personalities in the country. I’m wondering if you share this love with the masses.

A-The first time I saw Beyoncé she was pretty much a little girl. She was with Destiny’s Child at the time and I saw them because there used to be this big benefit every year for the Elizabeth Glaser Pediatric AIDS Foundation in New York. It was outside in the West Village with huge tents and the people attending it were rich children, literally. The tickets were hundreds and hundreds of dollars for kids. They’d raise a fortune every year and they’d have Knicks players play basketball with them, the big artists in New York painting with them and I’d always run like a carnival game. At the end of the day they’d have musicians and the last thing one year was this little girl group, Destiny’s Child, by which point most of my friends left. But I heard them and I kept telling people, these kids are really good! You should listen to them! That was the first time I heard Beyoncé.

Q-I also wanted to get your take on Taylor Swift. She’s re-recording her songs after a dispute with her record company. What do you think of that whole kerfuffle?

A-Well, first of all, with a gun to my head I couldn’t tell you one Taylor Swift song. So I know nothing about this. This kind of pop music doesn’t interest me at all. But I read about this dispute and let me put it to you this way: I’m always on the side of the artist. It doesn’t matter who they are. I don’t know all of the details with this fight she had, but as I’ve pointed out to many of my friends who sold their books to the movies, that’s what sell means. I’m not sure her details, but if she sold something, that’s what sell means. So maybe don’t sell. If you wanted to still own something, you’d have to not sell it.

Q-I think a bad contract was also at play here.

A-All contracts are bad! And that is why you hire a very bad person called a lawyer to read it.

Q-Finally, Fran: It’s Pride Month which coalesces into Pride weekend here in New York City. How have you seen Pride month change, from its early days to the big to-do it is today?

A-No one avoids crowds more than I do. It doesn’t actually matter to me whether it’s Pride Month or St. Patrick’s Day or any other gigantic mob of people, you can be sure I will not be there. I never participate in these things. And this long predates COVID. But I do remember the first gay Pride Parade, which started in the Village. It was obviously minute compared to now. I’d watch the parade when it was small enough to watch without being overwhelmed by eight million people. I do remember that it went up Fifth Avenue at a certain point in the early ’70s and we were afraid to even watch it to some extent, by which I mean people didn’t want to be on camera because the news would be there. The difference between being gay in 1971 and being gay now is so gigantic that it would take an encyclopedia to describe the difference. But I was in Australia a couple of years ago and it happened to their gay Pride weekend. I was astonished because I heard a surprise guest was Cher. The whole continent seemed to be excited about this and I was very surprised. At a signing, this kid brought me one of my books to sign and he said, “And Cher’s here!!” I said, “How old are you?” He said, “I’m 22.” I said, “And it’s still Cher?’ And he said, “It will always be Cher.”

Q-Speaking of, have you ever been the grand marshal for a pride parade? Would you do it?

A-No one’s ever asked me. I’m not the homecoming queen type.

Architectural Digest Features Postmodern Buildings

When we start traveling again, I want to see some of these new types of structures. I can’t believe they exist. They are wild, whimsical, and way out there. Please note, two of these buildings are in Miami, so I don’t have to go too far.

Piramides by Soeters van Eldonk Architecten, 2006

Amsterdam, the Netherlands

two buildings in the shape of pyramids
Photo by Syntrus Archmea. Image courtesy of Phaidon. 

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The Ordnance Pavilion by Studio Mutt, 2018

The Lake District, Cumbria, England

a slanted house with a giant pink sculpture and an eyeball
Photo by Steven Barber. Image courtesy of Studio MUTT.

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Industry City Mural by Camille Walala, 2018

Brooklyn, New York

a tall skinny building with colorful tiles
© industry City. Image courtesy of Phaidon.

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Médiathèque by Mario Botta, 1988

Villeurbanne, France

two buildings with cutouts
© Pino Musi. Image courtesy of Phaidon.

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M2 Building by Kengo Kuma, 1991

Tokyo, Japan

a building with a large roman column in it
© wakiiii. Image courtesy of Phaidon.

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Robot Building by Sumet Jumsai, 1986

Bangkok, Thailand

a building that looks like a robot
Photo by Dirk Verwoerd. Image courtesy of Phaidon.

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Hotel Zaandam by WAM Architecten, 2010

Amsterdam, the Netherlands

a building with green roofs
© WAM architecten. Photo by Peter E. Barnes. Image courtesy of Phaidon.

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Chiat/Day Building by Frank Gehry and Claes Oldenburg, 1991

Los Angeles, California

a building that looks like a pair of binoculars
Photo by Elizabeth Daniels. Image courtesy of Phaidon.

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Ting 1 by Wingårdh Arkitektkontor, 2013

Örnsköldsvik, Sweden

a building with colorful cutouts
Photo by Tord-Rikard Söderström. Image courtesy of Phaidon.

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Kindergarten Wolfartsweier by Tomi Ungerer and Ayla Suzan Yöndel, 2002

Karlsruhe, Germany

a building that is shaped like a cat
Photo by Dirk Altenkirch. Image courtesy of Phaidon.

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Museum Garage by Jurgen Mayer H, Workac, Clavel Arquitectos, Nicolas Buffe, and K/R, 2018

Miami, Florida

a colorful parking garage that is multipurposed
Photo by Fernando Alda. Image courtesy of Paredes Pedrosa arquitectos.

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A House for Essex by FAT and Grayson Perry, 2015

Manningtree, Essex, England

a funky church that has a bunch of colors and shapes
Photo by Jack Hobhouse. Image courtesy of Phaidon.

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Church of Our Lady of Fatima by Mario Campi and Franco Pessina, 1989

Giova, Switzerland

a building far away that is made up of shapes
Photo by Simone Mengani. Image courtesy of Phaidon.

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Best Products Showroom by SITE, James Wines, 1979

Miami, Florida

a building that looks like a chunk has been taken out
Photo by James Wines. Image courtesy of Phaidon. 

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China Wharf by CZWG Architects, 1988

Bermondsey, London, England

a large red U turn stripe on a glass building
Photo by Jo Reid and John Peck. Image courtesy of CZWG Architects LLP.

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We Read About It, We Went, We Enjoyed. This Is What It Looks Like. Met Up With Valerie And Alfredo Cevallos And Neil Plakcy

Political irony

From The New York Times: 

Bibi Is Trump and the Israeli Change Coalition Is Biden 

The desire of the anti-Netanyahu coalition to oust him is so great that they are breaking the biggest political taboo in Israeli political history.

https://www.nytimes.com/2021/06/03/opinion/israel-prime-minister-netanyahu.html?smid=em-share

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The Week's Best Cartoons: Impeachment Trial #2 – Political⚡Charge
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Should NC follow Calif. or Texas? | Columnists | morganton.com
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Secret Chinese ballots, UV lights and watermarks: Arizona GOP recount mired in conspiracy theorieshttps://www.independent.co.uk/news/world/americas/us-politics/arizona-voter-fraud-uv-lights-china-b1843219.html

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Texas set to allow unlicensed handgun carry despite outcryhttps://apnews.com/article/texas-gun-politics-shootings-government-and-politics-28ef6e5ea8dd48a57114b67e5a885fad

May be an image of 4 people and text that says 'Texas now has more legislation for regulating women's uteri than for regulating handguns. @mollyjongfast OCCUPY DEMOCRATS SATIRE'
May be an image of 1 person and text that says 'PRO-LIFE I VOTE The SAME PEOPLE trying to strike down Roe V. Wade won't get vaccinated or wear masks because, "My body, my choice." MAKE IT MAKE SENSE. OCCUPY DEMOCRATS'
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May be an image of text that says 'Marjorie Taylor Greene comparing House mask mandates FB Rude and Rotten Republicans to the Holocaust is just like comparing a dental x-ray to Chernobyl.'
May be an image of 1 person and text that says 'AMERICANS DON'T WANT SOCIALISM! ...SAYS MITCH McCONNELL, THE SENATOR FROM KENTUCKY: A state with 541 people on food stamps and 174,000 on SSI disability and 1.2 million on Medicaid. Every year, Kentucky gets $148 billion more from the federal government than it pays it in taxes. OCCUPY DEMOCRATS'
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What I Read Today

Drag Brunch Hotel Cordozo

Gloria & Emilio Estefan Launch Drag Dinners at Miami Hotel for 25th Anniversary of The Birdcage | PEOPLE.com

https://people.com/travel/gloria-and-emilio-estefans-miami-hotel-launches-drag-dinner-25th-anniversary-the-birdcage/

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Homeless Men Lose Court Battle to Stay in Upper West Side Hotel

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A 20-Foot Sea Wall? Miami Faces the Hard Choices of Climate Change.

https://www.nytimes.com/2021/06/02/us/miami-fl-seawall-hurricanes.html?referringSource=articleShare

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Trump shuts down his blog, frustrated by its low readership.


https://www.nytimes.com/2021/06/02/us/politics/trump-shuts-down-blog.html?referringSource=articleShare

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How a Cozy Neighborhood Restaurant Became a Celebrity Hide-Out


https://www.nytimes.com/2021/05/28/style/giorgio-baldi.html?referringSource=articleShare

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Police Have Discovered a Dead Body Inside a Giant Papier-Mache Dinosaur Sculpture in Spain


https://news.artnet.com/art-world/dinosaur-dead-body-1972973

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This beloved seafood chain restaurant is staging a comeback


https://blog.cheapism.com/restaurants-we-miss/

Have A Good Laugh

Lawyers should never ask a Georgia grandma a question if they aren’t prepared for the answer.

In a trial, a Southern small-town prosecuting attorney called his first witness, a grandmotherly, elderly woman to the stand.

He approached her and asked, ‘Mrs. Jones, do you know me?’ She responded,
‘Why, yes, I do know you, Mr. Williams. I’ve known you since you were a boy, and frankly, you’ve been a big disappointment to me. You lie, you cheat on your wife, and you manipulate people and talk about them behind their backs. You think you’re a big shot when you haven’t the brains to realize you’ll never amount to anything more than a two-bit paper pusher. Yes, I know you.’

The lawyer was stunned. Not knowing what else to do, he pointed across the room and asked, ‘Mrs. Jones, do you know the defense attorney?’

She again replied, ‘Why yes, I do. I’ve known Mr. Bradley since he was a youngster, too. He’s lazy, bigoted, and he has a drinking problem. He can’t build a normal relationship with anyone, and his law practice is one of the worst in the entire state. Not to mention he cheated on his wife with three different women. One of them was your wife. Yes, I know him.’
The defense attorney nearly died.

The judge asked both counselors to approach the bench and, in a very quiet voice, said,’If either of you idiots asks her if she knows me, I’ll send you both to the electric chair…!!

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Surprise-It’s Your Clothes

The Miami Air And Sea Show

Eliot Hess was glued to his various sets of cameras this weekend taking photos of the Air and Sea Show in Miami from our balconies. Various folks stopped by to watch the action.

A closeup shot of the “afterburner” showing how it generates a thrust of power for supersonic speed.
My favorite is this one that looks like one of the jets is landing on the Continuum Condominium.
WWII aircrafts zooming past our condo.
A pair of helicopters
A stealth aircraft turning sideways
A dramatic parachute jump
Here goes another one
A stealth passing behind the Portofino condominium

WWD—-another copy and paste job. Patricia Field Talks ‘Emily in Paris,’ ‘Sex and the City’ and ‘Run the World’

By Rosemary Feitelberg on May 25, 2021

Patricia Field

Patricia Field

Photo courtesy Patricia Field

Far from coasting through the pandemic, Patricia Field seems to abide by a no-days-off work schedule.

Reached early Saturday evening in Paris, where she is working on the second season of Netflix’s “Emily in Paris,” Field also consulted on the just-released “Run the World” series. While millions identify her as the “Sex and the City” costume designer, fans won’t be seeing any of her selections in that show’s upcoming reboot “And Just Like That.” With a Lower East Side fashion gallery and consulting projects, Field is running on all cylinders. So much so that a weekend interview was the only time to connect.

After a full day of selecting 30 options for Lily Collins, she said, “I enjoy what I do. I feel like I do it intelligently. I have a philosophy of my own. Basically, I like happy clothes. So I have tended to do successful romantic comedies through the years.”

Of course, there’s more to her innate sense of fashion, which even Field allows for — at least a little. “I do know that people enjoy watching my creations because they’re mine. They’re original. I’ll put together things that nobody else would put together. Everything comes from my brain and my eye,” she said. “If it feels good to me, I go with it. I don’t really look around and ask, ‘Are people going to like it? Are they not going to like it?’ I can’t do that. I find that inhibiting. I believe a person has to be free and believe in whatever they do. Of course, sometimes you have doubts. That’s only human. It’s about feeling what you do, enjoying it and getting a chance to laugh at it and be happy.”

As for not working on the “Sex and the City” reboot, she said, “The main reason was a time conflict. I wasn’t able to be in New York doing that and be in Paris doing ‘Emily in Paris.’ But I told them to call my very dear friend Molly Rogers, who also worked in my store back in the day. She did ‘Sex and the City’ with me from start to finish. She knew it well so she’s doing it. My dance card was full.”

Her “very positive creative relationship” with Kim Cattrall — who, as widely reported, isn’t returning for the reboot — has lasted through the years. “As a matter of fact, she’s getting married at City Hall for a second time so I sent her to Dior. They make this New Look jacket that is a laser type jacket that comes in at the waist. It’s cut very well. She went there and got it.

Self-glorification is not her bag. “Yeah, it’s a distraction and it leads to nowhere. You can keep your name out there based on the work that you do. I do it because I enjoy it. It stimulates me and it’s fun,” she said. “Last night we were shooting a birthday dinner scene. Emily and her friends decided to have the birthday dinner in the courtyard of the building they live in. I thought, ‘Let’s just make this a beautiful tableau of costumes.’ It was like a fashionable birthday party. It looked kind of surreal. Here they were dressed up like they were going to the Oscars.”

Asked if she took issue with critics who felt the first season was too much of a cliché, Field said, “Not really because you know the French are like that. They don’t like anything. And I’ve known the French for many, many years. I think people have a right to say what they want to say. In the meantime from what I understand from here in Paris is that everybody is watching it. At the end of the day, that’s what counts. I don’t think Americans found it cliché at all.”

A striking and slim chartreuse green dress from Oscar de la Renta is one of the looks that will be featured in the second season, as well as Greek designers like Vasillis Zoulias, Maria Katrantzou, Des Hommes and Zeus & Dion. “I’m Greek and I have a lot of friends in Greece. I feel Greek designers really don’t get much international coverage,” she said.

For “Run the World,” she hired one of her protégés, Tracy Cox. (Another one of her protégés, Paolo Nieddu, is the designer for the series “Empire.”) “We used a lot of Black designers. The producers wanted us to feature them wherever possible and I was happy to do so. Growing up in New York, two of my best friends in high school were Black. The mother of one had a radio show in Harlem, and we’d go up there. One time her guest was Billie Holiday. I have an experienced history as a New Yorker going to public school. Also, my mother had a dry-cleaning business and she had several African Americans working for her. I was a young girl but they were like my uncles,” she said.

Asked about the move by many fashion companies to be more diverse with their executive teams and marketing, Field said, “There is a lot of, I don’t know if you want to call it pressure or an elevated consciousness because of everything that’s been going on, that it becomes correct to take that position. I’m glad. It’s not negative as long as it’s sincere.”null

Discussing cultural issues recently with three of her young gallery employees, Field said she told them “to take it easy and enjoy life.” After suggesting they make a T-shirt imprinted with “I have no gender issues,” her employees advised that would be misinterpreted. “How can they interpret it wrong? I’m just saying it like it is. I am known for hiring people that nobody else would hire. I didn’t hire them because they were gay or straight or this or that. I hired them because their creativity caught my interest. I didn’t care what color they were, what gender they were, how old or young they were. If you catch my brain, that’s what I like.”

Growing up on the Upper East Side, Field’s mother ran that dry-cleaning business in the East Seventies and specialized in “fancy clothes,” she said. After school, Field learned about the delicacy of silk and how that had to be pressed by hand, and other fabrics, as well as lessons about business. “A very hard worker, who was totally proud and happy with what she was doing,” Field’s mother inspired her to do the same post-New York University, she said.

The road to costume designer started with a job at the former department store Alexander’s in the South Bronx that she would drive to in “a little Sunbeam Alpine, the car that was in ‘Butterfield 8′ with Liz Taylor. I would drive up there in my little designer outfits that I would buy from Loehmann’s in those days,” Field said.

At Alexander’s, one day three executives came marching down to the blouse department that she managed, wanting  to know why the numbers had increased so quickly and [by] so much. Field had ironed pre-packaged blouses and displayed them on bust forms that she had purchased instead of having plastic bags stacked on a table. “I said, ‘Come over here. This is probably why,’” she said with a laugh.

Decades later she has continued to seek a lot of clothes directly through consultant work or through the trends she creates as a costume designer. As for what designers might be missing, Field said “a lot of them, I’m not saying all of them, are missing inspiration. Maybe the ones that became famous got older and lost their touch. I’m not really sure. When I see designers trying to do streetwear, I really find it in a way disappointing.”null

Having come of age during the days of Halston and Courrèges, Field questioned who is a designer of that level today. “The imagination has been stifled by making the numbers. It’s a shame for fashion. Fashion is an art. It’s a cultural statement of the times.”

She continued, “I want to know, ‘Why did Alber Elbaz get fired from Lanvin?’ I have no idea. He was great. Several years ago I walked down the street here one day and I saw him doing the windows. It’s that kind of love that is missing and has been replaced by numbers. If you love it, the numbers come in on their own. You don’t have to be so self-conscious about it.”

Fashion has lost a certain panache, as in the Battle of Versailles, she said. “It’s kind of in a way dead. I have a very good friend, who is a jeans wear designer. He was telling me their biggest customer is Costco. His company is making an amazing amount of business. That’s just an example. I’m not putting it down — don’t get me wrong. I’m just saying big business has taken over fashion…there is a certain allure that is gone. I mean, it’s sneakers and sweatshirts.

”Fashion comes in stages. It’s a trend and then it’s over. You get tired of your skinny jeans and then you want jeans with a full leg. That’s what fashion is about. I agree with that. Fashion is definitely an expression of the culture of the time. If people feel poor, they dress that way,” she said. “I think about the 1930s and the Depression. The colors were faded, and the shapes, even if they followed the body, they followed it loosely. It’s a mentality.”

All in all, Field said it is really important for people to know what they are good at, and to have the confidence to pursue their strengths, regardless of what there profession is. “Why do something that you’re not good at?” she asked. “Life is one time. You have to enjoy it and have fun together.”

Reached in her “beautiful apartment right next to the Louvre and right on the Seine” that was provided by Emily in Paris production company, Field said she was having a glass of wine in her kitchen drinking in the scenery. “You caught me at a really good time because I just came in from working all day,” she said.