Individualism

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The Jewish Museum of Florida-FIU, which is only a few blocks from where we live, was the talk of Art Basel. The museum wanted to explore and discuss Jews with tattoos.

In order to accomplish this, The Jewish Museum of Florida-FIU, showcased the photography work of Zachary Balber. As you entered the exhibit area, the following statement was on display.



“This photographic series is created through the lens of Zachary Balber, a noted, young, Florida Jewish photographer whose works are in the collections of the Nerman Museum of Contemporary Art , the Patricia and Philip Frost Museum of Art FIU and numerous private collections through the United States.

“The photos present images of men, all Jewish themselves, who whether disenfranchised, marginalized, tormented by hurt or simply for vanity, sought to change their outward appearance.

”Jewish law has prohibited bodily modifications, like tattoos and piercings for centuries. The ban has even weightier implications since the holocaust, when Jews were tattooed against their will in Auschwitz. Still, an ever increasing number of Jews are being tattooed as “inking” becomes more mainstream in both American and Israeli culture. Some young Jews see tattooing as a tool to connect to their past or to express their identities.

”Balber engaged the subjects of the photo series in addressing their own Jewish identities by including his personal Bar Mitzvah Kippah in all of the photos. Some of the photos in the series depict members of Balber’s family who influenced his search for his Jewish identity. Of note, Balber himself has no tattoos.

”We present Tamin to address this relevant topic and to encourage discussion of both the rules and the reality.”

Zachary Balber

Let Your Motobag Do The Walking

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Modobag is the world’s first carry-on suitcase you can ride. No more running to the gate. Now you can get there in a much more efficient manner. This is great news for seniors who feel travel just requires too much exertion.

Modobag will be at CES in Las Vegas this January demonstrating its motorized, rideable capabilities. Modobag claims it will get you to your destination up to three times faster than walking.

The Modobag features dual USB charging ports, an LED display, and charger. It is powered by a patented, titanium Nanosafe™ battery system that complies to FAA, TSA and IATA.

To find out more about the Modobag go to:

http://www.modobag.com/

YouTube: https://youtu.be/HazWCa3huMY

FACEBOOK https://m.facebook.com/modobag

TWITTER https://mobile.twitter.com/modobag

INSTAGRAM https://instagram.com/modobag/

Now get ready for the price. It’s quite expensive, but just remember the advantages.

$1,495.00

Fountainhead Residency Front Page Miami Herald

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(If you can’t access the story through the link, I copied and pasted it for you below).

If you live in Miami, I wish you would join The Fountainhead Residency I am a board member. My girlfriend, Ruth Greenberg, recently told me it was one of her best investments this year. Not only is she helping the arts, but she, and husband Howard, are now invited to several events a month where they are meeting and making the most interesting friends. 

There are all levels of financial support. An expensive meal for two will cost you more money than a membership. This is far more satisfying. Thank you 

https://www.miamiherald.com/entertainment/visual-arts/art-basel/article237901254.html

 

Come to Art Basel for $120K bananas taped to the wall. Stay for art rooted in Miami.

BY ANDRES VIGLUCCI AND JANE WOOLDRIDGE AND SIOBHAN MORRISSEY| AVIGLUCCI@MIAMIHERALD.COM AND JWOOLDRIDGE@MIAMIHERALD.OM

Yesterday

Until Kathryn Mikesell met and married her husband, Dan, she had never set foot in an art gallery or museum.

So how did she come to be, 21 years later, one of the most recognized, hugged, air-kissed and sought-after VVIPs when the doors swung open on Wednesday for the latest edition of America’s premier art fair, Art Basel Miami Beach?

The story comes in bits and pieces as the kinetic Mikesell makes her smiling, determined, embracing way through the floor of the Miami Beach Convention Center and its dozens of gallery booths during the exclusive preview, which draws some of the world’s top collectors and museum mavens.

And to follow Mikesell for a couple of hours provides a fresh inside look at the massive fair and its workings: What may to an outsider seem as little more than a cold market where fabulous or outlandish works of art trade for millions of dollars is, at the same time, a small world of warm personal and artistic connections where the young host city, Miami, has increasingly earned its way into the innermost circles.

For two decades, after discovering art and embracing art as life-affirming passion in their adopted hometown, Kathryn and Dan Mikesell have played a key behind-the-scenes role as patrons and supporters in fostering Miami’s emergent reputation as a global center for art — not just as a place to buy or sell or show off art, but as a place to make it.

And on Wednesday, it showed.

Kathryn Mikesell, co-founder and director of the Fountainhead Residency for artists in Miami, looks at a collage work by program alum and rising star Ebony G. Patterson during the Art Basel fair at the Miami Beach Convention Center. (MATIAS J. OCNER | mocner@miamiherald.com)

Kathryn was stopped every few steps by a happy greeting, a request for tips on art and artists or a quick “hi” as, floor map in hand, she sets out to meet up with members of her “family” — the artists and gallery owners from around the world that she and her husband have nurtured, encouraged and connected over the years through their Fountainhead Residency program and related endeavors.

At more booths than you can track, a delighted Mikesell points out a painting, sculpture or installation by one of the 400 artists from 45 countries she and her husband have hosted since 2008 in Miami’s Morningside neighborhood, or the local artists who have rented a low-cost studio from them at their Fountainhead Studios in nearby Little Haiti.

For a young emerging or a mid-career artist, making it to the hyper-competitive Basel fair is a significant achievement, and for the Mikesells it’s a point of special pride to have Fountainhead alums prominently represented on the Basel show floor and at several satellite fairs during art week.

“This is what we love,” Kathryn said. “I’m really here to support our artists. For me, it’s about people. People look forward to getting together to view art, to talk about the world today, and get inspired.”

A few required things, as it turns out, are comfortable shoes, a sturdy constitution, an uncanny memory for names, artworks and faces, and an ability to absorb massive amounts of visual stimulation.

At Berlin’s Peres Projects booth, multimedia artist and recent Fountainhead residency alum Austin Lee, out of Yale and New York, is showing a colorful foam and resin sculpture that sold quickly for $150,000. At Chicago gallerist Kavi Gupta’s booth, news that a mixed-media work by Devan Shimoyama, another alum, sold to a museum brought a “Yay!” and a fist pump from Mikesell.

The James Fuentes gallery booth out of New York is dedicated exclusively to elaborately worked paintings depicting colorful, shadowy figures by Fountainhead alum Didier William, a Haitian-born artist and graduate of Miami’s New World School of the Arts.

“He’s amazing, he just sits and draws all day,” Mikesell said.

Kathryn Mikesell, co-founder and director of the Fountainhead Residency for artists in Miami, greets progam alum Didier William, during the Art Basel fair VIP opening at the Miami Beach Convention Center. (MATIAS J. OCNER | mocner@miamiherald.com)

At the residency, artists get living and working space for a month to produce work and, just as significantly, introductions to gallery owners and collectors. Not incidentally, the artists are encouraged to get to know the real Miami.

At the Barro gallery of Buenos Aires booth, artist and current Fountainhead resident Gabriel Chaile, who is from Argentina, is showing four pastel drawings and a sculpture — all made in Miami, like several other sculptures he has on view at the Faena District in mid-Miami Beach during art week.

“It has been an incredible reception and experience,” Chaile said after a warm hug from Mikesell. “Kathryn had us meet important people, and the chance to live and share with other artists has also been a great opportunity.”

In Miami, Chaile said, he’s enjoyed not just making art, but riding the residency’s bicycle around and taking the jitneys used by many residents of Little Haiti to get around, getting to know the city’s black working class.

In conversations with artists and curators, he noted, he’s learned how the country’s history of racial segregation is reflected in the art world, where until recently black artists failed often to receive the same recognition as white peers.

The Mikesells’ supporting role goes far beyond the one month of the residency to helping them forge critical, career-defining connections . They keep track of alums, introduce their work to collectors, institutions and galleries. And it works the other way round, too: gallery owners and collectors will recommend artists for the residency. On Wednesday, Kathryn met the Argentinian owner of Barro, Federico Curutchet, thanks to the Chaile connection. 

Kathryn Mikesell, at right, co-founder and director of the Fountainhead Residency for artists in Miami, talks with current program resident Gabriel Chaile, center, about his sculpture on exhibit at the Barro gallery booth during the Art Basel fair VIP opening at the Miami Beach Convention Center. Chaile, from Argentina, made the piece in Miami during his residency. At left is gallerist Federico Curutchet. (MATIAS J. OCNER | mocner@miamiherald.com)

At the Art Basel fair, the couple are also making new acquaintances, learning of new work by artists they may want to support — or make a part of their growing collection.

Kathryn and her husband both worked in high-tech when they met. Dan, whose family had art and whose father, a retired lawyer, now paints full time, brought two pieces of art into the marriage.

For Kathryn, discovering art was a life-changing experience. While Dan kept his day job, she now works full time running their non-profit. Their own collection, meanwhile, has grown to just over 500 pieces, many of which fill their home.

On Wednesday at the fair, Kathryn kept a lookout for work they might like to buy, and put a few pieces on reserve. She also texted friends phone pics and videos of work she thought they might be interested in. Some buttonhole her during the fair, asking for recommendations on artists and booths they should seek out.

One installation that caught her eye — and that drew a crowd of fairgoers snapping iPhone photos — featured beaded sculptures by Fountainhead alum Raúl de Nieves at the Company gallery booth. His pieces shared the booth, lined with a pin shag carpet, with life-size resin figures decked out in vintage outfits by his friend and colleague Cajsa von Zeipel.

The booth prompted a recollection of de Nieves working at the Fountainhead house, filled with his paper cutouts, sequins and candy he was using for an installation.

“It was like an explosion,” she recalled happily. “Fantastic.”

Kathryn Mikesell, co-founder and director of the Fountainhead Residency for artists in Miami, looks at sculptures in an installation by program alum Raul de Nieves and Cajsa von Zeipel during the Art Basel fair VIP opening at the Miami Beach Convention Center. (MATIAS J. OCNER | mocner@miamiherald.com)

Mikesell videoed the scene to send to a collecting friend, while another friend who happened by snapped a picture of Kathryn as she took in the booth.

The interconnections and coincidences often multiply in unpredictable ways.

Another Fountainhead alum, Deborah Roberts, has a large collage depicting three children on view at the Vielmetter gallery booth. During her residency, Mikesell recalled, Roberts became close friends with photographer Genevieve Gaignard. The gallery picked up both artists to represent shortly after.

Collector and developer Jorge Perez, meanwhile, sad Gaignard’s politically charged photos and purchased one, now exhibited at his new El Espacio 23 space in Allapattah. Perez also purchased four pieces made in Miami during a Fountainhead residency by L.A. artist Umar Rashid. 

“What you’re seeing is, it’s all interwoven,” Mikesell said. “It goes all ways, and that’s what’s great.”

What she and her husband’s own experience has shown, Mikesell said, and what they try to impart to artists is that Miami is a young city that’s still “full of opportunity.”

“If you want to create something here, you can,” she said. All around her, meanwhile, the business of Basel — the selling of art — was brisk, even if it lacked some of the breathless, frenzied first-day buying of years past.

Among the most attention drawing pieces on offer: Three bananas, affixed to the wall of the Emmanuel Perrotin gallery with silver electrical tape, by controversial conceptual artist Maurizio Cattelan, who had not shown at an art fair in 15 years.

Yes, these are actual edible bananas — priced at $120,000 each. Entitled “Comedian,” the works come with a certificate; it’s up to the owner to replace the banana as needed. Two had sold by afternoon, Perrotin said in an email.

“Cattelan is back!” Perrotin said. Most galleries send out a list of works they’ll be showing to their regular clients, and many buyers arrive with works already reserved so they can confirm their interest after seeing the art in person.

For gallerist Luhring Austine,though, the practice paid off with the sale of “Cupboard IX” by Simone Lee, which sold to a museum. The same was true of Galerie Thaddeus Ropac, whose clients came in Wednesday to confirm they were buying “Sing Sang Zero,” a multi-ton 2011 sculpture by Georg Baselitz priced at $3.9 million.

The story repeated itself throughout the fair. Within an hour of the fair’s opening, the five paintings by Miami artist Tomm El-Saieh at Central Fine, a Miami Beach gallery — priced $60,000 each — were gone; two had been presold and the other three were on reserve. “We’ve sold a lot of important works,” said gallerist Bennett Roberts of Roberts Projects — including a $285,000 painting by Barack Obama-portraitist Kehinde Wiley. 

The art world’s current fascination with black artists was also evident.

The Miriane Ibrahim booth, devoted entirely to the work of Amoaka Boafo, was priced at $25,000 to $40,000. And an 18-foot-wide tryptich — a drawing by Kara Walker — was offered for $575,000 at Sikkema Jenkins of New York. At the Monique Meloche gallery, two works by another Fountainhead alum, Ebony Patterson, priced $65,000, were reserved at midday.

Kathryn Mikesell, co-founder and director of the Fountainhead Residency for artists in Miami, hugs program alum Ebony G. Patterson during the Art Basel fair VIP opening at the Miami Beach Convention Center. (MATIAS J. OCNER | mocner@miamiherald.com)

It was the gallery’s first time in Art Basel, having previously shown at Untitled. And while gallerist Monique Meloche said she sold well at Untitled, being in ‘‘the big fair offers a level of validation. When you’re invited to this party there’s a level of gravitas. We are meeting many more people.”

Fredric Snitzer’s booth resembles a gallery opening for another of Miami’s favorite artistic sons, Hernan Bas. Snitzer even gave the display at his booth a name, the way he would typically title an exhibition: “Distinctly Floridian.”

“All of his work is about Florida and growing up in Florida and the wacky iconography of Florida,” Snitzer said of Bas. The prices range from $70,500 for a 24 x 20-inch acrylic on canvas painting to $82,000 for a 72 x 51.25-inch acrylic on paper. The showstopper is a six-panel folding screen that measures 6 x 9 feet and lists for $300,000.

Reminiscent of a 19th century still life but with a Florida twist, Bas featured two dead flamingos in the center of the screen. An alligator skull, a basket of stone crabs, bowls of oranges, starfish and birds of paradise delight the viewer with riot of color splashed across the screen.

Blue chips were abundant, including multi-million dollar works by Pablo Picasso, Fernand Leger, Sam Francis, Donald Judd, Roy Lichtenstein, drawings by Frank Stella, and a spectacular photo collage by James Rosenquist.

The 209 fair brought the new Meridians sector of large-scale installations (with an audio guide) and 20 first-time participants, in part thanks to a new Art Basel sliding-scale pricing arrangement that makes the fair more affordable to newer galleries.

And unlike the last few years, construction was nonexistent, resulting in a flow that felt breezy and comfortable.

“It’s a very good atmosphere,” said Marc Spiegler, Art Basel global director. “What’s important is that galleries of every type are doing well.”

 

BP-Lytic: A Novel Cuffless Blood Pressure Monitoring Device

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If you ever had blood pressure issues you are going to be interested in a new product that is under development.

The product (patent pending) is a wearable device that can continuously and accurately monitor blood pressure using photoplethysmography.

Click here to find out what this is.

https://en.wikipedia.org/wiki/Photoplethysmogram

All this is done without a cuff and has the ability to continuously monitor blood pressure around the clock, yes even during your sleep. This is super important when trying to anticipate strokes and heart attacks.

Now comes the biggest surprise. This new innovative device is being developed by a 16 year old. Robin Raskin, founder of the “Young Innovators To Watch” program for CES, discovered Vardhan Agrawal for her scholarship program.

Details

CATEGORIES 2020 CES Entries 
PRODUCT WEBSITEhttps://vardhanagrawal.com/bplytic/
SCHOOL Cupertino High School 
LOCATION Cupertino, CA 
CREATOR/AGE Vardhan Agrawal, 16

Vardhan Agrawal’s website explains, “Hypertension affects over 75 million Americans today. The new device uses photoplethysmography, a technique that relies on the fact that blood absorbs green light. The device shines a green light into the user’s skin and measures the light reflected back by the blood. When the heart beats, more of the light is absorbed. At a sampling rate of 150 Hz, this outputs a PPG signal.

“The device converts the signal into a series of images using a continuous wavelet transform, which conveys important information (derivatives, scale, and rate of change) about a signal in the form of an image for further processing later.

“The device processes the images in a convolutional neural network to recognize characteristics of the waveform and produces a blood pressure reading.

“Not only does the product feature state-of-the art technology under-the-hood; it’s also been designed with the user experience and a sleek form factor in mind. The device can be comfortably worn throughout the day for “set-and-forget” blood pressure measurement.”

Right now the device is scheduled to be priced at $49, less than half the price of a traditional blood pressure cuff. I will let you know when the product becomes a reality.

How Would You Like To Be Remembered?

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I may be unreasonable, but why do print and broadcast reporters ask an older, accomplished person “How would you like to be remembered?” I find it offensive and rude. I’m sure many of you may not agree, but I get so upset when I hear that question.

Why don’t writers ask that question to younger, famous people? The fact that it’s always used on senior people only makes me feel that they expect a person in their 70’s to die soon.

Not so fast. Older people in their 70’s and 80’s are not checking out anytime soon. In this day and age, we can last way into our 90’s. Don’t rush us. We have a lot of living to do.

To really understand what I am talking about, watch the interview Jackie Nespral, TV broadcaster, NBC 6, Miami, did with Jorge Perez, one of the most successful real estate developers in the United States. She didn’t mean any harm. However, it just seems like the end is near.

https://www.nbcmiami.com/on-air/as-seen-on/Impact-Jorge-Perez-Pt-2_Miami-561151212.html?amp=y

What You Need to Know About Miami’s Art Basel

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A “Lying on the Beach” podcast

This is one of the most exciting weeks for art lovers in the United States. Artists, collectors, gallerists, writers, photographers, and so on, are all flocking to Miami for Art Basel, the most extensive art fair in the country with over 200 of the world’s leading international modern and contemporary art galleries displaying the works of over 4,000 artists. In addition to Art Basel, there are countless satellite exhibits all over Miami where you can find young artists to museum-caliber masterpieces.

We are very excited to have one of the major art forces in Miami, on ”Lying in the Beach,” who is going to tell us more about Miami Art Week. Kathryn Mikesell, and her husband Dan, are co-founders of Fountainhead Residency, an artistic home away from home in Miami where artists get the opportunity to create and connect with other artistic talent from around the world.

Fountainhead has hosted over 390 artists from more than 45 countries. After 12 years of existence, Fountainhead is thrilled that over 100 of its alumni are now exhibiting in Miami Art Week.

Welcome Kathryn to “Lying on the Beach.”

– http://www.lyingonthebeach.com/2019/12/02/what-you-need-to-know-about-miamis-art-basel

TikTok Is A Social Media Crowd Pleaser

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I feel it’s my duty to make sure you know what “TikTok” is. It’s the biggest rage among social media users. You don’t want to tell others you are not in the know. It’s like saying you don’t know who Mr. Rogers is.

“TikTok” is a social media video app for creating and sharing short lip-sync, comedy, and talent videos.

Top 10 Countries with the Largest TikTok Database

• India – 119.3 million users.

• USA – 39.6 million users.

• Turkey – 28.4 million users.

• Russia – 24.3 million users.

• Mexico – 19.7 million users.

• Brazil – 18.4 million users.

• Pakistan – 11.8 million users.

• Saudi Arabia – 9.7 million users.

“TikTok” was created by ByteDance, a Chinese software company. Many people in the United States are very concerned that the Chinese are spying on us because of the information they are collecting from U.S. users.

Shelly Palmer, an advertising, marketing and technology consultant, recently wrote an article about “TikTok” that explains why the app is insanely popular and details the security issues. Palmer warns that TikTok is wildly addictive.

“No matter your age, your stage, how jaded you are… resistance is futile. You will become addicted to ‘TikTok’ within minutes. Then, the app will begin its symbiotic relationship with your brain, and then… it’s over. You will become a full-fledged ‘TikTok’ addict and, as far as I know, there is no cure.”

Read more here:

https://www.shellypalmer.com/2019/11/tiktok-data-questions/

The Sand Auto Exhibit And The Phone Screen Enlarger

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Eliot Hess got one of the first photos of the most amazing exhibit at the Miami Art Fair this week. We read about the public art installation in a local newspaper, and immediately went to see it.

Unfortunately, the exhibit doesn’t open till tomorrow, but Eliot managed to sneak past authorities and snap a few shots.

Located on the beach, just off of Lincoln Road, Argentinean conceptual artist Leandro Erlich created a exhibit of 66 life-size sand replicas of cars and trucks. It is supposed to represent a 21st century traffic jam built in sand.

The newspaper article said, “The sand replicas of vehicles frozen in time symbolize a harsh and rigid modernity that is at odds with natural and porous material of which they are made.”

Entitled “Order of Importance,” Miami commissioned this temporary public art. The forms will be left to slowly degrade throughout the duration of the exhibition.

Here is a story about the exhibit in Wallpaper magazine and the photos they featured.

3D Phone Screen Enlarger

The first time I saw the 3D Phone Screen Enlarger I thought to myself “Who needs an iPad?” The 3D phone screen enlarger magnifies the display on your cell four times its original size.

How cool is that? An $18 gizmo actually magnifies your cell phone to a 12” projector screen. It’s perfect for movies, videos, and games.

This is all accomplished with a lightweight, foldable phone stand and screen amplifier. Friends told me that Amazon has several models from different manufacturers that all function well. I will find the one that suits me best. I suggest you do the same. We will never have to squint again.

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Fountainhead Residency Welcomes Art Basel/Miami Art Week

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If you are attending Miami Art Week, I am so proud to announce that the Fountainhead Residency has alumni at Art Basel, and all of the satellite shows.

I am so thrilled to be on the board of this amazing establishment. Please call me to join our family. Your social and cultural life will be super charged with amazing events. Thank you Founders Kathryn and Dan Mikesell.

Here is the name of the exhibit, the artist, and the gallery.

Art Basel Miami Beach Convention Center

Agustina Woodgate at Baro Gallery

Gabriel Chaile at Baro Gallery

Aki Sasamoto with Bortolami Gallery

Raul de Nieves at Company Gallery

Cajsa von Zeipel at Company Gallery

Didier William at James Fuentes

Christina Quarels at Pilar Corrias

Tschabalala Self at Pilar Corrias

Alfred Conteh at Kavi Gupta

Basil Kincaid at Kavi Gupta

Devan Shimoyama at Kavi Gupta

Kennedy Yanko at Kavi Gupta

Derrick Adams at Rhona Hoffman

Naama Tsabar at Goodman Gallery

Ruby Onyinyechi Amanze at Goodman Gallery

Jacolby Satterwhite at Mitchell-Innes and Nash

Derrick Adams at Salon 94

Paul Anthony Smith at Jack Shainman

Lynette Yiadom Boakye at Jack Shainman

Deborah Roberts at Susanne Vielmetter

Aqua — 1530 Collins Ave

Marco Beria

Design Miami — adjacent to the Miami Beach Convention Center

Basil Kincaid with Mindy Solomon Gallery

Pulse — 4601 Collins–

Rachel Mica Weiss at Uprise Art

Untitled On the beach at 10th St

Coady Brown with 1969 Gallery

Esperanza Cortes with UPFOR

Elisabeth Condon and Christina Petterson with AIRIE, Artists in Residence in Everglades

Frohawk Two Feathers with New Image Art

Asad Faulwell at Kravets/Wehby

Langdon Graves with Pratt Fine Arts

Pipo Hernández Rivero with NF/ NIEVES FERNÁNDEZ

Basil Kincaid with Kravets|Wehby Gallery

Adia Millett with Traywick Contemporary

Lavar Munroe with Jenkins Johnson Gallery

Wynnie Mynerva with GINSBERG

Jamaal Peterman with Blackpuffin/For Freedoms and Vigo Gallery

Devan Shimoyama with De Buck Gallery

David Shrobe with Steve Turner

Marcel Sinclair at Mite Gallery

Guðmundur Thoroddsen with Asya Geisberg Gallery

Siebren Versteeg with bitforms gallery

Art Miami — Former Miami Herald site Biscayne Bay

Jenny Brillhart at Kuckei + Kuckie

Sandra Ramos at Pan American Projects

Mario Moore at David Klein Gallery

CasaCor — 700 Brickell Ave, Miami

Elizabeth Condon

NADA — 1400 N Miami Ave

Bethany Collins at PATRON

Alexandria Smith at Martos Gallery

Meredith James with Jack Hanley Gallery

Aaron Gilbert at Lulu

Kenny Rivero with EFA Robert Blackburn Printmaking Workshop

Glendalys Medina annd Kenny Rivero, at EMBAJADA & Charles Moffett

Caroline Salas is part of NADA Special Projects

Shikeith at ltd los angeles

Kristen Schiele at Kayrock Printing

PRIZM — Alfred DuPont Building 169 E Flagler

Stephan Arboite

Alfred Conteh

Andre Leon Gray

Art Basel Cities “Disruptions” on the lawn of the Bass Museum 2100 Collins Ave.

Marcela Sinclair

Agustina Woodgate

Bass Museum 2100 Collins Ave

Derrick Adams

John Edmonds

Alexandria Smith

Oolite Arts — 914 Lincoln Road

Pat Phillips in On the Road II curated by Larry Ossei-Mensah

Julie Davidow in the Wallgreen’s Windows

Faena — 3300 Collins Ave.

Gabriel Chaile — Faena Festival: The Last Supper

Miami Museums and Special Projects

El Espacio 23 2270 NW 23rd St

Join the Inaugural exhibition, Time for Change: Art and Social Unnrest in the Jorge M. Pérez Collection, curated by Jose Roca.

Ana Maria Devis

Genevieve Gaignard

Umar Rashid

Miami-Dade Collections Cuban Legacy Gallery — 600 Biscayne Blvd

Juana Valdes

PAMM Perez Art Museum — Miami 1103 Biscayne Blvd.

Lavar Munroe and Sheena Rose in The Other Side of Now

Rubell Family Museum — 1100 NW 23rd St

Tschabalala Self

The Bakehouse Art Complex — 561 NW 32 Street

Jenny Brillhart in Between the Legible and Opaque curated by Adler Guerrier

Artists studios; Christina Pettersson, Rose Marie Cromwell, Sandra Ramos,

FRINGE PROJECTS

3 Locations: 1. NW 7th avenue just north of 67th street; visible on the west side of the street by southbound traffic 2. Just south of US-1 & NE 4th court and north of 55th street; visible on the west side of NE 4th court by southbound traffic . 3. on NW 2nd ave just north of 41st street; visible on the east side of the street by southbound traffic

Paul Anthony Smith

Under the Bridge — 12425 NE 13th Ave

Kerry Phillips

We Buy Gold by Good to Know — 48 East Flagler Street

Sebastian Villamil

Miami Galleries

Victoria Fu and Siebren Versteeg at Primary Projects 7410 NW Miami Ct

Mette Tommerup at Emerson Dorsch 5900 NW 2nd Ave

Agustina Woodgate and Juana Valdes at Spinello Projects 2930 NW 7th Ave

Carla Fache, Karen Starosta, and Patricia Gutierrez at Mitte Projects and Wynwood Arts 29 95 NW 29th St

Happy Thanksgiving

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We wish everyone a happy, healthy, and safe Thanksgiving

The Botero Exhibit on Lincoln Road